Capturing Power: A Maltese Lens on Bodies and Masks

Have you ever walked down Republic Street in Valletta, camera in hand, and wondered why a certain scene or person caught your eye? It’s not just the historic architecture or the vibrant street art; it’s the power dynamics at play. Photography, at its core, is a tool to explore and challenge power structures, and Malta, with its rich history and diverse culture, offers a fascinating canvas.

Bodies in Frame: Narratives of Power

Power dynamics in photography are often about who’s in control of the narrative. In Malta, where history is etched into every stone, bodies in frame can tell stories of power and resistance. Take, for instance, the Grandmaster’s Palace in Valletta. Once a symbol of the Knights’ power, it now houses the Office of the President. Photographing the grand facade or the guards in their uniforms can evoke a sense of authority, but so can capturing a tourist interacting with them, challenging that power.

Local photographer, Mario Vella, says, “Malta’s history is full of power struggles. As photographers, we can use our lenses to explore these narratives, to challenge or reinforce them.” His series, ‘Bodies of Power’, captures just that, from the grandeur of the Palace to the intimate power dynamics in local markets.

Masks Unveiled: Power and Identity

Masks are a recurring theme in Maltese culture, from the traditional ‘għannejja’ to the modern carnival masks. They’re about identity, power, and the spaces in between. Photographer, Roxanne Gauci, uses masks to explore these themes. Her project, ‘Masks of Malta’, captures the duality of Maltese identity, the power of disguise, and the stories hidden beneath.

“Masks give us power to express ourselves freely, to challenge norms,” Roxanne says. “But they also hide power imbalances, like in traditional village feasts where only men wear the masks, holding the power.” Her work encourages viewers to question these power dynamics, hidden beneath the surface.

Power Play: The Photographer’s Gaze

Power in photography isn’t just about the subject; it’s about the photographer’s gaze. In Malta, where tourism is a significant industry, photographers often capture locals going about their daily lives. But who’s in control of that narrative? The local or the tourist with the camera?

Malta-based photojournalist, Darrin Zammit Lupi, believes in empowering his subjects. “I always ask permission before taking a photo,” he says. “It’s about respect and consent. The power should be with the person being photographed, not just the photographer.” His work, ‘Malta Uncovered’, captures the island’s raw beauty and its people, always with their consent.

So, the next time you’re out with your camera in Malta, think about the power dynamics at play. Who’s in control of the narrative? How can you use your lens to challenge or reinforce those power structures? And remember, it’s not just about the grand palaces or the vibrant markets. Power is everywhere, even in the most mundane scenes. You just need to look for it.