Alex Borg: “They criticise us, then they copy us”

In the heart of Malta’s bustling capital, Valletta, you’ll find Repubblika Street, a narrow thoroughfare that’s seen its fair share of history. Today, it’s home to a unique blend of old and new, with traditional balconied houses standing shoulder to shoulder with modern boutiques. Among them is a small, unassuming shop that’s been making waves in the local art scene. It’s called Spazju Kreattiv, and its director, Alex Borg, has a simple yet powerful philosophy: “They criticise us, then they copy us.”

From Criticism to Imitation

Borg is no stranger to controversy. His bold approach to art and culture has often drawn criticism, but he wears it like a badge of honour. “When we first opened Spazju Kreattiv, people said we were crazy,” he recalls, leaning back in his chair in his office above the gallery. “They said we were too small, too remote, too… different. But we knew we were onto something.”

Fast forward a few years, and Spazju Kreattiv has become a beacon for contemporary art in Malta. Its unique programming, which often challenges the status quo, has drawn international attention. And those who once criticised Borg? Well, they’re now trying to emulate his success. “I’ve seen other galleries trying to replicate our model,” he says with a smile. “It’s flattering, really. But we’re not slowing down. We’ve got too much to do, too many artists to support.”

Art as a Catalyst for Change

For Borg, Spazju Kreattiv is more than just a gallery. It’s a catalyst for change, a space where art can challenge societal norms and spark conversation. “Art has the power to change minds,” he says. “It can make people think, feel, question. That’s what we’re here for.”

This approach has led to some thought-provoking exhibitions. There was the controversial “Sexuality and Religion” show, which explored the intersection of these two sensitive topics. Then there was “Migrant Bodies,” an exhibition that humanised the migrant crisis through art. Both shows sparked debate, but Borg sees that as a sign of success. “If we’re not making people uncomfortable, we’re not doing our job,” he says.

: The Future of Spazju Kreattiv

Despite its success, Spazju Kreattiv isn’t resting on its laurels. Borg has big plans for the future. He’s looking to expand the gallery’s reach, both locally and internationally. He’s also keen to engage more with the community, using art to tackle social issues. “We want to be a space where everyone feels welcome,” he says. “Where everyone can see their story reflected in the art on our walls.”

As for the critics? Borg has a message for them: “Keep watching. We’re just getting started.”