Malta’s Self-Portrait Revolution

In the Heart of Valletta: A Self-Portrait Exhibition

Tucked away in a quaint, sun-drenched alley off St. Lucy Street, Valletta’s newest art exhibition is causing a stir. ‘Self as Image, Image as Self’ is a captivating collection of self-portraits by local artists, each offering a unique window into their souls. But what makes this exhibition truly compelling is its exploration of the blurred line between the artist and their art.

Malta’s Self-Portrait Tradition: A Brief History

Self-portraits have been a staple in Maltese art since the 17th century. From the intricate works of Mattia Preti to the emotive pieces of Esprit Barthet, Maltese artists have always found inspiration in their own reflections. Today, this tradition continues, with a new generation of artists pushing the boundaries of self-expression.

But ‘Self as Image, Image as Self’ is not just another self-portrait exhibition. Curated by local art enthusiast and critic, Dr. Joseph Farrugia, this exhibition challenges the conventional notion of self-portraits. It explores how the artist’s image is not just a reflection of their physical self, but a manifestation of their inner world, their experiences, and their perceptions.

Meet the Artists

The exhibition features works from some of Malta’s most promising artists, each with their unique take on the self-portrait. There’s Maria Attard‘s hauntingly beautiful ‘Reflections’, a digital artwork that explores the artist’s struggle with identity and belonging. Then there’s Darren Tanti‘s ‘Metamorphosis’, a mixed media piece that delves into the artist’s journey of self-discovery and transformation.

But the piece de resistance is undoubtedly Daniel Attard‘s ‘In My Skin’. A large-scale oil painting, it’s a raw, visceral exploration of the artist’s mental health struggles. It’s a powerful reminder that art can be a tool for healing, for making sense of the world, and for connecting with others.

Attard, who spoke to Hot Malta about his work, said, “Self-portraits are more than just a mirror image. They’re a way of exploring our innermost thoughts and feelings. They’re a way of making sense of who we are, where we’ve been, and where we’re going.”

And that, perhaps, is the true power of ‘Self as Image, Image as Self’. It’s not just an art exhibition. It’s a journey of self-discovery, a conversation starter, a call to look within and explore our own selves. Because, as Attard puts it, “We’re all works in progress. And our self-portraits are the maps that guide us on this journey.”