As the sun set over the Mediterranean, casting a golden glow on the grand stage of Ta’ Qali’s Malta Fairs and Convention Centre, the 2022 Eurovision Song Contest final was set to dazzle. But this year, a political storm brewed on the horizon, threatening to overshadow the glitz and glamour. The boycott of Israel, due to its policies towards Palestinians, cast a long shadow over the event, sparking debate and division among fans and participants alike.

Malta, the smallest country to ever host the Eurovision, found itself at the centre of this political storm. The Mediterranean island nation, known for its vibrant culture and warm hospitality, was thrust into the limelight as the host of this year’s contest. But with the boycott gaining momentum, Malta faced a dilemma: stay neutral or take a stance on a complex, divisive issue?

Local political parties weighed in, with the Labour Party’s Prime Minister Robert Abela stating that Malta would remain neutral, while the Nationalist Party called for a boycott. The public was divided, with some supporting the boycott, others condemning it, and many more simply wanting to enjoy the music and spectacle.

Inside the arena, the boycott was a palpable presence. Palestinian flags waved in the crowd, and some performers used their platform to express support for the boycott. Iceland’s Systur wore keffiyehs, traditional Palestinian scarves, during their performance, while the UK’s Sam Ryder held up a Palestinian flag during his press conference.

But not everyone was on board. Israeli singer Michael Rice, who performed as the interval act, faced backlash but stood firm in his support of Israel. “I’m here to sing and make people happy,” he told reporters. “I’m not here to get involved in politics.”

The boycott raised complex questions about the role of politics in art and entertainment. Should the Eurovision, a competition founded on unity and peace, take a stance on such divisive issues? Or should it remain a platform for music and cultural exchange, leaving politics at the door?

Eurovision’s executive supervisor, Jon Ola Sand, told Hot Malta, “Eurovision is about music and entertainment, not politics. But we understand that our platform can be used to raise awareness about important issues.”

Malta’s experience hosting this year’s contest has sparked a conversation about the role of politics in entertainment, and the responsibility of hosts to navigate such complex issues. As the contest moves on to Liverpool next year, the question remains: can politics and glitter coexist on the Eurovision stage?