‘Turandot’, against all odds: A Maltese opera triumph

In the heart of Valletta, the Maltese capital, the Teatru Manoel is buzzing. It’s not just any night at the opera; it’s the opening of ‘Turandot’, Puccini’s grand masterpiece, staged against the backdrop of a global pandemic.

An opera defying the odds

The COVID-19 pandemic has silenced stages worldwide, but Malta’s opera scene is fighting back. ‘Turandot’, with its soaring arias and dramatic story, is a testament to the resilience of local arts. The Teatru Manoel, Malta’s national theatre, is the unlikely hero, hosting this grand production in the midst of a global crisis.

Conductor Brian Schembri, a Malta native, is at the helm. “We’ve had to adapt, to innovate,” he says, “But we’re not letting this pandemic silence our music.” The orchestra, masked and socially distanced, is a sight to behold. Yet, the music, powerful and emotive, transcends the visual oddities.

Local talent shines bright

‘Turandot’ boasts a cast of Maltese and international stars. Soprano Miriam Gauci, a Valletta native, takes on the titular role. “It’s a dream come true,” she says, “To sing Turandot in my hometown, in these challenging times, is truly special.” Tenor Joseph Zammit, another Maltese talent, plays Calaf, the prince who dares to love the icy princess.

The production is a blend of local and international expertise. Italian director Alessandro Talevi brings his vision to life, while Maltese designer Antonio Sciortino creates the stunning sets. It’s a fusion of cultures, a testament to Malta’s cosmopolitan spirit.

Safety first, opera always

The Teatru Manoel has transformed to ensure safety. Seating is reduced, masks are mandatory, and hand sanitizers dot the entrance. Yet, the spirit of opera remains undeterred. The audience, though smaller, is no less enthusiastic.

As the final notes of ‘Nessun dorma’ echo through the theatre, the audience erupts in applause. It’s a moment of triumph, of defiance against the odds. In Malta, opera lives on.

“This is our way of saying ‘we’re still here’,” says Schembri, “We’re not just surviving, we’re thriving.”