Żabbar council buys Hompesch Theatre to save it from potential development

Imagine the Hompesch Theatre, a grand old dame of Żabbar, standing silent and forlorn, her once vibrant stage now a dusty echo chamber. This was the grim reality facing one of Malta’s most historic theatres until Żabbar Local Council stepped in to save it from potential development.

A Theatre with a Past

The Hompesch Theatre, located on Triq San Ġorġ in Żabbar, has been a cornerstone of Maltese culture since its inception in 1864. Built by the Knights of St. John, it was originally a church, but it was converted into a theatre in the late 19th century. Over the years, it has hosted countless plays, operas, and even served as a cinema in its heyday.

However, like many historic buildings, the theatre faced neglect and decay. Its owners, the Żabbar Parish, struggled to maintain it, and there were whispers of potential development plans that could have seen the theatre demolished.

The Council’s Cultural Crusade

Żabbar Local Council, under the leadership of Mayor Dorian Camilleri, wasn’t about to let that happen. “The Hompesch Theatre is more than just a building,” says Camilleri. “It’s a piece of Żabbar’s history, a symbol of our cultural heritage. We couldn’t stand by and watch it be lost.”

In a move that has been hailed as a victory for cultural preservation, the council bought the theatre from the Żabbar Parish. The purchase, finalized earlier this month, ensures that the theatre will remain a part of Żabbar’s cultural scene for generations to come.

Reviving a Gem

The council has big plans for the theatre. They aim to restore it to its former glory, creating a cultural hub that will benefit not just Żabbar, but all of Malta. “We want to bring the theatre back to life,” says Camilleri. “We want to host plays, concerts, art exhibitions – anything that will make the Hompesch Theatre a vibrant part of our community again.”

Restoration work is set to begin in the coming months. The council is also inviting local artists and cultural organizations to get involved, to help shape the theatre’s future and ensure that it remains a reflection of Żabbar’s diverse and thriving cultural scene.

As for the potential developers who had their eyes on the theatre, they’ll have to look elsewhere. Żabbar’s cultural crusaders have made it clear: the Hompesch Theatre isn’t for sale, and it never will be again.

**