Cover Me, Imħabba: Why Malta Falls Head-Over-Heels for Reimagined Classics
On a sticky August night in Valletta, the bronze doors of the Manoel Theatre creak open and the crowd that spills onto Strait Street is humming the same chorus: “Għanja ta’ l-Arġent”, but not the 1970s original by Enzo Gusman. Tonight it’s Nadine Axisa’s stripped-down jazz trio version, slowed to a crawl, her voice brushing…
